Villa Gazzotti Grimani is a Renaissance villa, an early work of architect Andrea Palladio. In 1994 UNESCO designated it as part of the World Heritage Site 'City of Vicenza and Palladian Villas of the Veneto'.
The villa was designed and built in the 1540s for the Venetian Taddeo Gazzotti and, like a number of Palladio's buildings, it incorporates a pre-existing structure. In 1550, before the building was completed, Gazzotti was facing financial problems and sold the villa to Girolamo Grimani.
For the first time Palladio presents the body of the building as a clearly defined cube. The three-fold arcade in the central section, which is reminiscent of Villa Godi, is crowned by a triangular gable and is the dominant shape of the facade.
The body of the building rests on a base, from which it is divided by means of a ledge which runs along the entire width of the facade. On the one hand this serves to protect the working areas from damp, but on the other hand, it also raises the villa above the surrounding landscape.
The villa is currently in need of restoration, particularly the exterior stucco which has peeled to expose the underlying brickwork. The restored Villa Saraceno is an example of how impressive restored stucco can look.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.