Villa Caldogno is attributed to Andrea Palladio. It was built for the aristocratic Caldogno family on their estate in the village of Caldogno near Vicenza.
A Latin inscription on the facade dates the completion of the building to 1570 when it belonged to Angelo Caldogno. However, Angelo's father, Losco Caldogno, appears to have started to build in the 1540s, probably incorporating walls from a pre-existing building. 1570 is possibly the date of the completion of the villa's decorative scheme.
The villa is not included in I Quattro Libri dell'Architettura, Palladio's treatise of 1570, in which the architect discussed a number of his creations. However, it is similar to certain villas, such as the Villa Saraceno, that Palladio is known to have created in the 1540s and 1550s.
The villa has frescoes by Giovanni Antonio Fasolo (1530-1572), who decorated Palladio's Teatro Olimpico, and Giovanni Battista Zelotti (1526-1578), who decorated a number of villas designed by Palladio. The frescoes at Villa Caldogno Nordera have been compared to Zelotti's work at Villa Foscari.
In 1996 UNESCO included the Villa Caldogno Nordera in the World Heritage Site 'City of Vicenza and the Palladian Villas of the Veneto'. The villa is in municipal ownership and is open to the public.
References:The Walls of Constantinople are a series of defensive stone walls that have surrounded and protected the city of Constantinople (today Istanbul) since its founding as the new capital of the Roman Empire by Constantine the Great. With numerous additions and modifications during their history, they were the last great fortification system of antiquity, and one of the most complex and elaborate systems ever built. They were also the largest and strongest fortification in both the ancient and medieval world.
Initially built by Constantine the Great, the walls surrounded the new city on all sides, protecting it against attack from both sea and land. As the city grew, the famous double line of the Theodosian Walls was built in the 5th century. Although the other sections of the walls were less elaborate, they were, when well-manned, almost impregnable for any medieval besieger.