Villa Chiericati was designed for Giovanni Chiericati by the architect Andrea Palladio in the early 1550s. In 1996 UNESCO included the villa in the World Heritage Site City of Vicenza and the Palladian Villas of the Veneto.
The villa is square and a portico projects from its principal facade. The principal rooms are built upon a piano nobile above a semi-basement. The upper floor is very much of secondary importance. The design of the villa was to be the prototype for Palladio's later works at the Villa Rotonda and the Villa Malcontenta.
Work on the villa stopped after the death of Palladio's client. It was not finally completed until after it had been purchased by Ludovico Porto in 1574. In 1584 he employed the architect Domenico Groppino, who had collaborated with Palladio on other projects, to complete the villa.There is some debate as to the extent Groppino influenced the eventual design of the building. While the portico is undoubtedly by the hand of Palladio himself, the position of the windows is at variance with the architect's own advice in I Quattro Libri dell'Architettura, where he warns against placing windows near the corner of a building lest it weaken the structure (the villa does in fact reveal signs of settlement here).
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.