The Villa Forni Cerato is a 16th-century villa in Montecchio Precalcino. Its design is attributed to Andrea Palladio and his client is assumed to have been Girolamo Forni, a wealthy wood merchant who supplied building material for a number of the Palladio's projects. The attribution to Palladio is partly on stylistic grounds, although this is a complicated issue - the building departs from the Palladian norms.
The villa was probably built in the 1540s modifying an existing building on the site. The double name Forni-Cerato, which it is always given, dates back to 1610. Both its attribution to Palladio and the assumption that Girolamo Forni had it built remain a matter of speculation. The first reference to the architect being Palladio is in the 18th century. However, modern research agrees almost unanimously with their opinion.
The body of the building has not undergone any significant changes with the exception of the back, which had a serliana, which was replaced by a balcony. The outline of the rear serliana is still visible.
Today, the only authentic sculptural decoration appears to be a mask over the round arch of the entrance serliana which is attributed to Alessandro Vittoria.
In 1996 UNESCO included the building in the World Heritage Site 'City of Vicenza and the Palladian Villas of the Veneto'. The villa is in a poor state of conservation.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.