Villa Saraceno has been dated to the 1540s, which makes it one of Andrea Palladio's earlier works. In 1570 the building was illustrated in an imagined state in its architect's influential publication 'Four Books of Architecture'.
Villa Saraceno is one of Palladio's simpler creations. Like most of Palladio's villas it combines living space for its upper-class owners with space for uses related to agriculture. Above the piano nobile is a floor which was designed as a granary. As it stands today, the villa has a nineteenth-century wing which links it to a fifteenth-century building.
The villa fell into a poor state of repair in the twentieth century but retained some of its original frescoes. It was acquired in 1989 by the British charity the Landmark Trust. By 1994 the Trust had completed its restoration, converting the property, which includes adjacent farm-buildings not by Palladio, into a holiday home sleeping up to 16 people. The many people who have since stayed in the villa include Witold Rybczynski, who used it as a base when researching his book on Palladio.
The restoration has been praised for its sensitivity, and since 1996 the villa has enjoyed an additional level of protection, being conserved as one of the buildings which make up the World Heritage Site 'City of Vicenza and the Palladian Villas of the Veneto'.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.