Villa Trissino is an incomplete aristocratic villa designed by Andrea Palladio, situated in the hamlet of Meledo. It was intended for the brothers Ludovico and Francesco Trissino. It should not to be confused with Villa Trissino at Cricoli, which is 20 km away, just outside Vicenza.
Villa Trissino, like most of the Palladian villas, was to be the centre of an agricultural estate built for an aristocratic family. What survives at Meledo is two sections of the villa's extending colonnade, which would have been used for the utilitarian functions, something like a farmyard.
At the end of the wing in the photo there is a dovecote, a feature also found at Villa Barbaro. The dovecote of Villa Trissino is decorated with frescoes, indicating that even within the utilitarian portions of the villa, great care was given to create aesthetic beauty. The dovecote tower was frescoed with grotesques by Eliodoro Forbicini (a Veronese painter mentioned by Vasari), who also worked in Palladio’s Palazzo Chiericati and Palazzo Thiene. It is an evident sign that the building’s function was not just utilitarian.
At Villa Trissino, the twenty-first century visitor will find no Palladian house, only the start of the two extending wings can be seen.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.