Villa Trissino is an incomplete aristocratic villa designed by Andrea Palladio, situated in the hamlet of Meledo. It was intended for the brothers Ludovico and Francesco Trissino. It should not to be confused with Villa Trissino at Cricoli, which is 20 km away, just outside Vicenza.
Villa Trissino, like most of the Palladian villas, was to be the centre of an agricultural estate built for an aristocratic family. What survives at Meledo is two sections of the villa's extending colonnade, which would have been used for the utilitarian functions, something like a farmyard.
At the end of the wing in the photo there is a dovecote, a feature also found at Villa Barbaro. The dovecote of Villa Trissino is decorated with frescoes, indicating that even within the utilitarian portions of the villa, great care was given to create aesthetic beauty. The dovecote tower was frescoed with grotesques by Eliodoro Forbicini (a Veronese painter mentioned by Vasari), who also worked in Palladio’s Palazzo Chiericati and Palazzo Thiene. It is an evident sign that the building’s function was not just utilitarian.
At Villa Trissino, the twenty-first century visitor will find no Palladian house, only the start of the two extending wings can be seen.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.