Villa Cornaro was designed by the Italian Renaissance architect Andrea Palladio in 1552 and is illustrated and described by him in Book Two of his 1570 masterwork, I Quattro Libri dell'Architettura.
Villa Cornaro was mainly constructed in 1553-1554, with additional work into the 1590s, after Palladio had died, for Giorgio Cornaro, younger son of a wealthy family. It represents one of the most exemplary examples of a Renaissance villa during this time frame. The north façade has an innovative projecting central portico-loggia that is a flexible living space out of the sun and open to cooling breezes.
The interior space is a harmonious arrangement of the strictly symmetrical floor plans on which Palladio insisted without exception. Rooms of inter-related proportions composed of squares and rectangles flank a central axial vista which extends through the house. As Rudolph Wittkower noted, by moving subsidiary staircases into the projecting wings and filling matching corner spaces with paired oval principal stairs, space was left for a central salone which is fully as wide as the porticos. The central core of the villa forms a rectangle in which there are six repetitions of an elegant standard module. The interior has 18th-century frescos by Mattia Bortoloni and stuccos by Camillo Mariani.
Through its illustration in Palladio's I Quattro Libri dell'Architettura, in the 18th century Villa Cornaro became a model for villas all over the world.
The villa is owned by Carl and Sally Gable, of Atlanta, Georgia. Since 1996 the villa has been conserved as part of a World Heritage Site, 'City of Vicenza and the Palladian Villas of the Veneto'.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.