Villa Cornaro was designed by the Italian Renaissance architect Andrea Palladio in 1552 and is illustrated and described by him in Book Two of his 1570 masterwork, I Quattro Libri dell'Architettura.
Villa Cornaro was mainly constructed in 1553-1554, with additional work into the 1590s, after Palladio had died, for Giorgio Cornaro, younger son of a wealthy family. It represents one of the most exemplary examples of a Renaissance villa during this time frame. The north façade has an innovative projecting central portico-loggia that is a flexible living space out of the sun and open to cooling breezes.
The interior space is a harmonious arrangement of the strictly symmetrical floor plans on which Palladio insisted without exception. Rooms of inter-related proportions composed of squares and rectangles flank a central axial vista which extends through the house. As Rudolph Wittkower noted, by moving subsidiary staircases into the projecting wings and filling matching corner spaces with paired oval principal stairs, space was left for a central salone which is fully as wide as the porticos. The central core of the villa forms a rectangle in which there are six repetitions of an elegant standard module. The interior has 18th-century frescos by Mattia Bortoloni and stuccos by Camillo Mariani.
Through its illustration in Palladio's I Quattro Libri dell'Architettura, in the 18th century Villa Cornaro became a model for villas all over the world.
The villa is owned by Carl and Sally Gable, of Atlanta, Georgia. Since 1996 the villa has been conserved as part of a World Heritage Site, 'City of Vicenza and the Palladian Villas of the Veneto'.
References:Visby Cathedral (also known as St. Mary’s Church) is the only survived medieval church in Visby. It was originally built for German merchants and inaugurated in 1225. Around the year 1350 the church was enlarged and converted into a basilica. The two-storey magazine was also added then above the nave as a warehouse for merchants.
Following the Reformation, the church was transformed into a parish church for the town of Visby. All other churches were abandoned. Shortly after the Reformation, in 1572, Gotland was made into its own Diocese, and the church designated its cathedral.
There is not much left of the original interior. The font is made of local red marble in the 13th century. The pulpit was made in Lübeck in 1684. There are 400 graves under the church floor.