Villa Serego was built for the aristocratic Sarego family, and designed by Andrea Palladio. The villa is distinctive for its use of rusticated columns of the Ionic order.
The villa was commissioned by the Venetian nobleman Marcantonio Sarego for an estate which came into his possession in 1552. A rough date for its execution is c. 1560-1570. In 1857 further construction took place, which makes the villa appear finished but does not fully respect the original design.
Two limestone sculptures stand surrounded by semi-circular hedges in front of the villa. They appear to be the deities Diana (with attributes of the hunt) and Apollo (holding a harp), symbolic of the villa being both a rural retreat and a refuge for culture and beauty.
The villa is built around a courtyard, which is derived from the atrium of Roman villas. Palladio was familiar with such designs from his researches into Roman architecture, but courtyards are rare in his own buildings. The colossal columns of the courtyard are executed in a rough aesthetic - Palladio refers to them being made of 'non polite' stone. Although ultimately derived from ancient Roman buildings, the columns are reminiscent of mannerist design and have features found in the architecture of Verona.
In 1996 UNESCO included the villa in the World Heritage Site 'City of Vicenza and Palladian Villas of the Veneto'. It is not open to the public.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.