Como Cathedral is one of the most important buildings in the region. It is commonly described as the last Gothic cathedral built in Italy: construction on it, on the site of the earlier Romanesque cathedral dedicated to Santa Maria Maggiore, began in 1396, 10 years after the foundation of Milan Cathedral. The construction works, started under the supervision of Lorenzo degli Spazzi di Laino, did not finish until 1770 with the completion of the Rococo cupola by Filippo Juvarra. The imposing west front was built between 1457 and 1498 and features a rose window and a portal between two statues of Pliny the Elder and Pliny the Younger, natives of Como.
It is 87 metres long, from 36 to 56 metres wide, and 75 metres high into the top of the cupola. It has a Latin Cross floor plan with a central nave and two side aisles, separated by pillars, and a Renaissance transept, with an imposing cupola over the crossing. The apses and the choir are of the 16th century. The interior has some important tapestries, and others of the 16th and 17th centuries, made in Ferrara, Florence and Antwerp. There are also a number of 16th-century paintings by Bernardino Luini and Gaudenzio Ferrari.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.