Prins Eugens Waldemarsudde is a museum located on Djurgården in central Stockholm. It was the former home of the Swedish Prince Eugen, who discovered the place in 1892, when he rented a house there for a few days. Seven years later he bought the premises and had a new house designed by the architect Ferdinand Boberg, who also designed Rosenbad (the Prime Minister's Office and the Government Chancellery), and erected 1903–1904.
Prince Eugen had been educated as a painter in Paris and after his death the house was converted to a museum of his own and others paintings. The prince died in 1947 and is buried by the beach close to the house.
The complex consists of a castle-like main building completed in 1905, and the Gallery Building, added in 1913. The estate also includes the original manor-house building, known as the Old House and an old linseed mill, both dating back to the 1780s. The estate is set in parkland which features centuries-old oak trees and reflects the prince's interest for gardening and flower arrangement. The Art Nouveau interior, including the tiled stoves, by Boberg are designed in a Gustavian style and makes good use of both the panoramic view of the inlet to Stockholm and the light resulting from the elevated location of the building.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.