Praglia Abbey is a Benedictine monastery founded in 1080. The first abbot of Praglia, Iselberto dei Tadi, who had become a monk in the monastery of San Benedetto Polirone in Mantua, is mentioned in a Papal Bull of Calixtus II in 1123. Until 1304 Praglia was under the direction of more powerful abbeys such as that of Polirone, the Abbey of Santa Giustina in Padua, and Cluny.
By the 14th century the abbey had gained more autonomy, funded by donations of various rulers and families. Most of the cloisters and church were rebuilt in the 16th century. Only the belltower retains medieval construction. The basilica church, dedicated to the Assumption of Mary (Santa Maria dell'Assunta), was designed in 1490 by Tullio Lombardo. Construction of the nave was completed in 1548, and of the principal door and the cupola in 1550.
The abbey has works by many prominent late-Renaissance painters of the Veneto. The cupola and large canvases in the library and refectory were painted by Giovanni Battista Zelotti. He also painted the Assumption of Mary in the church and the cupola. The apse was frescoed by Domenico Campagnola. Chapels have altarpieces by Alessandro Varotari, Antonio Badile, and Paolo Veronese.
The 16th-century library has been converted into a repository for the National Monument Library, and currently houses approximately 120,000 volumes. The monumental refectory is decorated with medallions carved by the Lombardo family, depicting the Baptism and Martyrdom of St Giustina, and Christ Pantocrator. Inside, the large fresco of the Crucifixion on the rear wall was painted by Bartolomeo Montagna.
In 1810 the monastery was closed for nearly two decades. The buildings fell into a dilapidated state and were used as barracks and a storage depot. It is remarkable that the artworks and library survived.
Benedictine monks did not return to the abbey until the early 20th century, and still use parts of the buildings. Many structures have been restored, and the monks provide tours. The monastery also accommodates visitors, including those on spiritual retreats. Work continues on book restoration in the library.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.