The Church of John the Baptist (Johanniskirche) is the oldest Lutheran church in Lüneburg, Germany. The church is considered an important example of northern German Brick Gothic architecture. The five-naved hall church was erected between 1300 and 1370 and repaired in 1420. In the early 15th century Conrad of Soltau, as Conrad III Prince-Bishop of Verden, failed to make St. John's the new cathedral of his see, since the city council and the Prince of Lüneburg resisted that fearing the political interference of another power. The outer structure was marked by rebuilding in 1765. Particularly striking is the lightly sloping steeple, which at a height of 108 meters is the highest church steeple in Lower Saxony. The stained-glass in the Elisabeth Chapel was made by Charles Crodel in 1969.
The church's organ was finished in 1553 by Hendrik Niehoff and Jasper Johansen and rebuilt in 1714 by Arp Schnitger student, Matthias Dropa and in the latter 20th century by Rudolf von Beckerath.
The 108-meter-high spire of the church looks as though it is sloping from each side: the truss on the upper part is twisted into a corkscrew shape. A legend states that when the master builder noticed the mistake, he fell from an upper window in the church tower; however, he landed on a passing haywagon, so he lived. Feeling that he had been vindicated by God, the master went into a local tavern to celebrate. After a few too many drinks he leaned back in his chair and fell over. As he fell he hit his head on the stone hearth of the fireplace and was killed.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.