Built at the beginning of the 1900s following the plans of the engineer Carlo Saroldi, Gamba castle was commissioned by Charles Maurice Gamba, daughter of Count Christin d‘Entrèves. Today the castle houses an exhibition route distributed through 13 rooms, with over 150 works of art such as paintings, sculptures, installations, drawings and photographs belonging to a regional collection dating back from the end of the 19th century to the present day.
Beside the works of the maestros of the 20th century, including the sculptures of Martini, Mastroianni, Manzù, Arnaldo and Giò Pomodoro, and paintings by Casorati, De Pisis, Carrà and Guttuso, the collection documents Italian figurative art production from the second half of the century up to contemporary research exponents, such as Schifano, Baruchello, Rama and Mainolfi.A vast and varied selection of works testifies to the movements that have animated the Italian art scene over the past 25 years: for example, the exhibition hosts representations of informal art, geometric abstraction, transavantgarde and pop art. Particular importance is given to the Aosta Valley region through the activity of local artists, or those active in the Valley, on regional commission.
References:The Walls of Constantinople are a series of defensive stone walls that have surrounded and protected the city of Constantinople (today Istanbul) since its founding as the new capital of the Roman Empire by Constantine the Great. With numerous additions and modifications during their history, they were the last great fortification system of antiquity, and one of the most complex and elaborate systems ever built. They were also the largest and strongest fortification in both the ancient and medieval world.
Initially built by Constantine the Great, the walls surrounded the new city on all sides, protecting it against attack from both sea and land. As the city grew, the famous double line of the Theodosian Walls was built in the 5th century. Although the other sections of the walls were less elaborate, they were, when well-manned, almost impregnable for any medieval besieger.