Issogne Castle is one of the most famous manors of the region, and is located on the right bank of the Dora Baltea. As a seigniorial residence of the Renaissance, the Castle has quite a different look from that of the austere Verrès Castle, which is located in Verrès, on the opposite bank of the river.
Issogne Castle is most noteworthy for its fountain in the form of pomegranate tree and its highly decorated portico, a rare example of medieval Alpine painting, with its frescoed cycle of scenes of daily life from the late Middle Ages.
The earliest mention of the castle of Issogne is in a Papal bull issued by Pope Eugene III in 1151. Some walling discovered in the cellars of the current castle may be evidence of a Roman villa, dating from the 1st century BC, on the site.
The castle was restored in the 15th century by Ibleto of Challant. The current appearance developed between 1490 and 1510 under George of Challant, who transformed it into a luxurious residence for his cousin Margaret de La Chambre and her son Philibert. These works transformed Issogne castle into a luxurious Renaissance residence.
After various owners, it was bought by the artist Vittorio Avondo in 1872 who restored it and donated it to the State in 1907. Today the castle belongs to the autonomous Region of Aosta Valley.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.