Sarriod de la Tour Castle was originally a typical of the style built between the 10th and 12th centuries, and was greatly expanded by Jean Sarriod in 1420 and his son, Antoine, in 1478. The north wing's ground floor features a wooden-ceilinged 'Hall of Heads', named for its decorative motifs.
The Sarriod de la Tour Castle was the family residence of the Sarriod family since its founding. The Sarriods were politically linked to the powerful Bard family in the County of Savoy. The oldest part of the castle included a chapel and square tower, or donjon, surrounded by the castle walls. In 1420 Jean Sarriod expanded upon the 'turris Sariodorum', as the donjon was known. The 'Hall of Heads', built in 1430, features 171 corbels of grotesques of mythological monsters and animals bearing coats of arms.
In 1478 Jean's son, Antoine Sarriod de la Tour, refurbished the chapel dedicated to the Virgin Mary and Saint John the Evangelist, by having painted the external frescoes of the Crucifix and Saint Christopher and caused to be built the small bell tower. The castle wall's circular and semi-circular towers were added sometime in the late 15th century, when a new entrance was created on the eastern side. In the 16th century a west-facing wing was added, then, in the 17th century, a north tower. The Sarriod family inhabited the castle until 1923. In that year the castle went to the Genoese Bensa family. Since 1970, it has been property of the autonomous Region Aosta Valley.
Sarriod de la Tour is open to visitors year round.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.