Sarre Royal Castle stands on a promontory in Lalex, which overlooks the Aosta flatland above the national road for Mont Blanc. It was built in 1710 on the ruins of a fortress mentioned in 1242. The property was purchased by the King of Italy Victor Emanuel II, who renovated it and used it during hunting expeditions in Val d’Aosta. The royal castle of Sarre, after becoming the private property of the King, was used as his headquarters for expeditions in the valleys of Cogne, Rhêmes and Valsavarenche.
Several modifications were made to the residence, in order to welcome the first king of Italy, including raising of the tower and construction of new stables. Inside, the rooms were completely reconstructed and modernised. The curator of the Royal Palace in Milan was charged with furnishing the residence, for which he transferred furniture from other royal residences. Victor Emmanuel’s successor, Umberto I (1844-1900) also destined the alpine castle for hunting activities.
In the final years of his reign, Umberto I took a particular interest in the Sarre residence and commissioned the renovation of its interior. At that time, works included important decorations in monumental rooms, garnished with ibex and chamois trophies. Queen Maria José also spent her holidays in the castle, even in the years following the monarchy. In 1989 the Val d´Aosta regional authority purchased the estate to restore it. The castle has a longitudinal body with a square tower in the centre, and is a museum of the presence of the Savoy in Valle d’Aosta.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.