The construction on Nelahozeves Castle began under the orders of Florian Griesbeck von Griesbach, a Tyrolean aristocrat and adviser to Emperor Ferdinand I, who commissioned the building from royal master builder Bonifaz Wolmut. The castle took more than sixty years to build and was completed at the beginning of the 17th century, more than a decade after Florian's death.
However, financial difficulties forced the von Griesbach family to sell the castle to Polyxena, 1st Princess Lobkowicz (1566-1642), in 1623. The castle was severely damaged during the Thirty Years' War, but was reconstructed by Václav Eusebius, 2nd Prince Lobkowicz (1609-1677), who used the castle as the center for administration and management of his estates.
The castle never served as the Lobkowicz family’s primary residence. In the late 19th and early 20th centuries, it was home to the Order of the Sisters of God's Love, a religious institution for widowed or unmarried noblewomen founded by Princess Wilhelmina Lobkowicz (1863-1945).
Nelahozeves Castle was confiscated by the Communist government in 1948, and housed an exhibition of modern socialist art run by the Czech Regional Gallery in the 1970s and 80s. It was returned to the Lobkowicz family in 1993, and now features an exhibition of historical period rooms, demonstrating the lifestyle of a Bohemian noble family in the mid-19th century. The castle also houses part of the Lobkowicz collection of paintings.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.