St. Georg's Church is one of twelve Romanesque churches in the city of Cologne. The date of the foundation of St Georg's is unknown, but it was consecrated towards the end of the 11th century. The nave was vaulted in the mid-12th century, the westwerk was added in 1188 and the entrance portal on the north side in 1551. The church was damaged during World War II, resulting in extensive restoration which included the removal of the Baroque extension to the westwerk and replacement with a simple hip roof in the Romanesque style.
St Georg's has the trefoil-shaped eastern end typical of other Romanesque churches of Cologne, its chancel and transepts each terminating in an apse. The nave is unique in Cologne in having its arcade supported on columns rather than piers.
There is a robust westwerk with walls of 5 metres thick, suggesting that it was intended to be much taller than actually built. The original Romanesque roof of the westwerk was replaced with a Baroque belfry, but this was damaged during World War II and later replaced with a steeply pitched hip roof of copper. During the late 1920s the church had been entirely glazed by the Expressionist artist, Johan Thorn Prikker. These windows were lost during the war, but have been reproduced from the original cartoons.
References:Saint-Georges de Boscherville Abbey is a former Benedictine abbey. It was founded in about 1113 by Guillaume de Tancarville on the site of an earlier establishment of secular canons and settled by monks from the Abbey of Saint-Evroul. The abbey church made of Caumont stone was erected from 1113 to 1140. The Norman builders aimed to have very well-lit naves and they did this by means of tall, large windows, initially made possible by a wooden ceiling, which prevented uplift, although this was replaced by a Gothic vault in the 13th century. The chapter room was built after the abbey church and dates from the last quarter of the 12th century.
The arrival of the Maurist monks in 1659, after the disasters of the Wars of Religion, helped to get the abbey back on a firmer spiritual, architectural and economic footing. They erected a large monastic building one wing of which fitted tightly around the chapter house (which was otherwise left as it was).