The Villa Giovannelli Colonna is a rural palace which was commissioned in the late 17th century by the Giovanelli family to the architect Antonio Gaspari.
In 1738 Andrea Giovanelli and his brother Benedetto decorated the facade of the Villa with the festive Pronaos and a precious entrance stairway by Giorgio Massari. On the balustrades are six allegorical statues representing the five senses: the Belvedere (sight/male), Il Odorato (smell/male), Il Tatto (touch/female), L'Udire (hearing/female), Il Gusto (taste/female) which are observed by La Ragione. They were executed by Antonio Tarsia, Antonio Gai and by the brothers Paolo and Giuseppe Groppelli.
The interior is frescoed by Sebastiano Ricci and Giuseppe Angeli, who also did the frescos in Villa Widmann-Foscari. The frescos were changed when Federico Giovanelli, Patriarch of Venice, took over the villa. His brothers Giovanni Benedetto and Giovanni Paolo Giovannelli commissioned two large canvases by Luca Carlevarijs. The gardens consist of labyrinths and designs.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.