Schloss Nordkirchen was largely built between 1703 and 1734 and is known as the 'Versailles of Westphalia' since it is the largest of the fully or partly moated Wasserschlösser in that region. It was originally one of the residences of the Prince-Bishopric of Münster.
In the 18th century, the structure visible today was raised in several building campaigns for Friedrich Christian von Plettenberg zu Lenhausen and his successor. In 1959, the schloss was purchased by the State of Nordrhein-Westfalen.
Parts of the interior of the palace are open to the public, as are the parterres and the surrounding park. Inside, an up-market restaurant offering Westphalian cuisine looks out into the large formal garden that faces the northern façade. The chapel may be rented for weddings.
The schloss stands on a rectangular island surrounded by a broad moat-like canal. The island’s four corners are accentuated by four small free-standing pavilions.
The garden front gives onto a landscaped park of some 170 hectares, reached through a formal parterre of scrolling broderie on axis, flanked by expanses of lawn. The gardens and the surrounded woods are peopled with a multitude of lifesize marble statues, of which the first deliveries were made in 1721 by the Munich sculptor Johann Wilhelm Gröninger. Other sculptures were delivered by Panhoff and Charles Manskirch. Further sculptures were added during the restoration in neo-Baroque style, undertaken in 1903-07.
References:Střekov Castle (Schreckenstein) is perched atop a cliff above the River Elbe, near the city of Ústí nad Labem. It was built in 1316 for John of Luxembourg, the father of the Holy Roman Emperor Charles IV, to guard an important trade route to Germany. After changing hands several times, the castle was acquired by the Lobkowicz family in 1563. Its strategic importance led to occupations by Imperial Habsburg, Saxon, and Swedish forces during the Thirty Years' War, as well as successive sieges by Austrian and Prussian armies during the Seven Years' War.
Although Střekov Castle was heavily damaged during those conflicts and abandoned as a military installation by the end of the 18th century, the 1800s saw many poets and artists visiting the castle, drawn by a new trend of interest in romantic ruins.