Schloss Nordkirchen was largely built between 1703 and 1734 and is known as the 'Versailles of Westphalia' since it is the largest of the fully or partly moated Wasserschlösser in that region. It was originally one of the residences of the Prince-Bishopric of Münster.
In the 18th century, the structure visible today was raised in several building campaigns for Friedrich Christian von Plettenberg zu Lenhausen and his successor. In 1959, the schloss was purchased by the State of Nordrhein-Westfalen.
Parts of the interior of the palace are open to the public, as are the parterres and the surrounding park. Inside, an up-market restaurant offering Westphalian cuisine looks out into the large formal garden that faces the northern façade. The chapel may be rented for weddings.
The schloss stands on a rectangular island surrounded by a broad moat-like canal. The island’s four corners are accentuated by four small free-standing pavilions.
The garden front gives onto a landscaped park of some 170 hectares, reached through a formal parterre of scrolling broderie on axis, flanked by expanses of lawn. The gardens and the surrounded woods are peopled with a multitude of lifesize marble statues, of which the first deliveries were made in 1721 by the Munich sculptor Johann Wilhelm Gröninger. Other sculptures were delivered by Panhoff and Charles Manskirch. Further sculptures were added during the restoration in neo-Baroque style, undertaken in 1903-07.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.