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Eleutherna was an ancient city-state in Crete. During the ninth century BCE, in sub-Mycenaean times, in the Geometric Period of the later Greek Dark Ages, Dorians colonized the city on a steep, naturally fortified ridge. The city's location made it a natural crossroads, as it lay between Cydonia on the northwest coast and Knossos, and between the shore, where it controlled its ports, Stavromenos and Panormos, and the great sanctuary cave near the peak of Ida, Idaion Andron. The Dorian city evolved in the Archaic Period in a similar vein as did Lato and Dreros, its contemporaneous Dorian counterparts.
With the Roman conquest of Crete in 68/67 BCE, luxurious villas, baths, and other public buildings demonstrate that Eleutherna was a prosperous centre through the Imperial period, until the catastrophic earthquake of 365 CE. Eleutherna was the seat of a Christian bishop: bishop Euphratas constructed a large basilica in the mid-seventh century. The attacks of caliph Harun Al-Rashid in the later eighth century and Arab hegemony in Crete, together with another earthquake, in 796 led to the final abandonment of the site. A brief reoccupation under the Latin Empire grave rise to a Catholic diocese, still a Roman Catholic titular bishopric today.
The site was abandoned during the revolution against Venetian rule took place during 1510–1621: As a result, the Kallergis Family was banned and forbidden to live in Eleutherna.
Public exhibitions in 1993 and 1994, and especially the comprehensive exhibition of 2004 at the Museum of Cycladic Art, Athens, have introduced the archaeological site to the general public. On the last occasion the Louvre lent the seventh-century BCE 'Lady of Auxerre', now given a definitive Cretan context with comparable finds at Eleutherna.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.