Gonia is an Orthodox monastery located on the coast of the south-east Rodopos peninsula in Crete, overlooking the Gulf of Chania.
Today dedicated to the Assumption of the Virgin, the monastery was founded in the 9th century and was originally dedicated to St. George. It was originally situated at Menies on the ruins of the ancient temple of Artemis Britomartis (Diktynna). The monastery was built in the 13th century adjacent to a cemetery, but it was rebuilt between 1618 and 1634 in its present location, with Venetian influences in its architectural design and adornment. The distinctive fountain in front of the monastery's entrance was built in 1708 and the belfry in 1849.
According to monks the present location at Kolymvari was considered a safer from attack. Despite this, the monastery was heavily damaged by Ottoman bombardment on many occasions throughout its history including in 1645, 1652, 1822, 1841, and finally in 1867 during the Cretan Revolt (1866–1869) against the Ottoman Empire, evidence of which can be seen today by the remaining cannonball lodged in the monastery wall.
During World War II the monastery was partly destroyed by German bombing and it became one of the most important areas of Cretan resistance to Nazi Germany.
Gonia Monastery is a Venetian-style fortress monastery. Its main church has a narthex, a dome, and a number of chapels surrounded by a courtyard. The courtyard area is also where the quarters of the abbot and monks of the monastery are situated along with the refectory and storehouses.
Today, the monastery museum contains numerous Byzantine artifacts from the 15th and 17th century including Cretan icons by Parthenios, Ritzos, and Neilos. It also has numerous relics and other rare religious treasures from the Byzantine period and ancient inscriptions on the walls.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.