Vrontisi Monastery is a 14th-century Eastern Orthodox monastery situated between the villages of Zaros and Vorizia, on the south slopes of Mt. Ida. It has a panoramic view of the Mesara Plain and the Asterousia Mountains.
Venetian archives contain several documents referring to the Vrontisi monastery. The earliest written reference dates back to 1474. However, it is older than that but the exact year of its establishment is unknown. Vrontisi was established as a metochion of the nearby Varsamonerou Monastery. The former fell into decline after 1500 whereas Vrontisi began to flourish and reached its apogee as a regional monastic and spiritual centre during the 16th and 17th centuries. After the fall of Crete to the Turks, Arkadi Monastery was deserted and its monks fled to Vrontisi. According to tradition, Michael Damaskinos, the renowned painter of the Cretan School, is believed to have served as a monk at Vrontisi. Six of Damaskinos' best known icons were kept at the monastery until 1800 and are nowadays displayed at the St. Catherine of Sinai museum in Heraklion.
Owing to its fortified position, Vrontisi was used as a revolutionary centre during the Cretan uprisings of the 19th century. During the great Cretan revolt of 1866, Michael Korakas used Vrontisi as his headquarters. In reprisal, the Ottomans slaughtered the monks and burned all crops, which resulted in the monastery being deserted and most of its heirlooms destroyed. During the German occupation of 1941–44, Vrontisi provided shelter to resistance fighters.
Similarly to most monasteries built during the Venetian period, the monastery used to be heavily fortified and surrounded by thick walls. However, only parts of the west wall remain today. In the middle of the court stands a two-nave church (katholikon) dedicated to St. Anthony (Antonios) and St. Thomas. The church was painted with frescoes of which very few remain in the southern nave. An arched bell tower of Italian influence rises besides the church. At the main entrance of the monastery there is a marble fountain dating to the Venetian era, featuring Adam, Eve and four faces from which the water flows that symbolize the four rivers of the Garden of Eden. Due to this fountain, Ottoman Turks used to call Vrontisi Santrivanli Monastir, i.e. Fountain Monastery. According to the Italian architect Giuseppe Gerola, the fountain dates from the 15th century and was created by an artisan that could skilfully use the chisel, something that was uncommon in Crete at the time.
References:The Walls of Constantinople are a series of defensive stone walls that have surrounded and protected the city of Constantinople (today Istanbul) since its founding as the new capital of the Roman Empire by Constantine the Great. With numerous additions and modifications during their history, they were the last great fortification system of antiquity, and one of the most complex and elaborate systems ever built. They were also the largest and strongest fortification in both the ancient and medieval world.
Initially built by Constantine the Great, the walls surrounded the new city on all sides, protecting it against attack from both sea and land. As the city grew, the famous double line of the Theodosian Walls was built in the 5th century. Although the other sections of the walls were less elaborate, they were, when well-manned, almost impregnable for any medieval besieger.