Hodegetria Monastery is one of the oldest and grandest monasteries on Crete, with its history closely linked to that of small monasteries and hermitages in the Asteroussia region.
It is a citadel-type monastery, with a large fortified tower in its courtyard that protected the monks from pirates arriving by sea in the south. According to tradition, this tower was initially built by Nikiforos Fokas in 961 AD. However, the present-day tower is more recent, built at the site of the first one during the era of Venetian rule, but retaining many of its Byzantine characteristics.
The two-aisled church at the centre of the courtyard is dedicated to the Virgin Mary and the Holy Apostles.
Several additions have been made to the initial structure and its interior includes murals, portable icons by renowned painters, an artful chancel screen and important holy vestments.
During the era of Ottoman rule, the monastery served as the seat and refuge of revolutionaries and its history has been linked with Xopateras, a dynamic monk who fought the Ottomans laying siege to the Monastery on his own. After the Ottomans killed him, they set fire to the tower and destroyed the monastery.
The monastery includes wonderful 15th century icons by the painter Angelos, such as the Life-giving Fontand Saint Fanourios, while the murals of the chapels and nearby churches, which are also worthy of note, were painted during various eras.
There is a small museum with an old oil press, a stone oven, old farming tools, a wine press and other utensils.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.