The Musée Matisse in Nice is a national museum devoted to the work of French painter Henri Matisse. It gathers one of the world's largest collections of his works, tracing his artistic beginnings and his evolution through his last works. The museum, which opened in 1963, is located in the Villa des Arènes.
The Villa des Arènes was constructed from 1670 to 1685. Upon its completion, it was named the Gubernatis palace after its sponsor and owner, Jean-Baptiste Gubernatis, then consul in Nice. The villa took its current name in 1950, when the City of Nice, anxious to preserve it, bought it from a real estate company.
The museum was created in 1963 and occupied the first floor of the villa, the ground floor being then occupied by a museum of archaeology. In 1989, the archaeological museum was moved to the nearby ancient site of the city, allowing the Musée Matisse to be expanded. It was closed for four years during renovations, and reopened in 1993. With a new modern wing as well as renovated spaces, the museum could exhibit its entire permanent collection, which has continued to increase since 1963 through several successive acquisitions and donations.
The museum's permanent collection is made up of a variety of donations, primarily those of Matisse himself, who lived and worked in Nice from 1917 to 1954, and those of his heirs, as well as works contributed by the State.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.