The Musée Marc Chagall is dedicated to the work of painter Marc Chagall - essentially his works inspired by religion - located in Nice in the Alpes-Maritimes.
The museum was created during the lifetime of the artist and inaugurated in 1973. It houses the series of seventeen paintings illustrating the biblical message, painted by Chagall and offered to the French State in 1966. This series illustrates the books of Genesis, Exodus and the Song of Songs.
Chagall himself provided detailed instructions about the creation of the garden by Henri Fish, and decided the place of each of his works in the museum. The chronological order of the works was not followed. Chagall created the mosaic which overlooks the pond and the blue stained glasses that decorate the concert hall; he also wanted an annual exhibition to be held on a topic related to the spiritual and religious history of the world.
As the collection has grown, what was a museum illustrating the theme Biblical message has become a monographic museum dedicated to Chagall's works of religious and spiritual inspiration. In 1972, the artist gave the museum all the preparatory sketches of the Message Biblique as well as stained glass and sculptures, and in 1986, the museum acquired, in lieu of inheritance taxes, the complete drawings and gouaches painted to depict the Exodus and ten other paintings, which includes the triptych named Résistance, Résurrection, Libération. Other acquisitions complemented the museum's collections, which now has one of the largest collection of works by Marc Chagall.
The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.