The Renoir museum is placed in the heart of a beautiful estate in Cagnes-sur-Mer, planted with olive and citrus trees offering a breathtaking view down the Cape of Antibes. It was the retreat and final address of the painter Pierre-Auguste Renoir, who moved to Cagnes in an attempt to improve his arthritis. The museum's collection ; painting, scultpures, artist's studio and furniture constitute the testimony of Renoir's last 12 years of life spent in Cagnes-sur-Mer.
In 1908, Renoir settled in the Collettes. Seduced by the climate, he enjoyed painting outside, reproducing on his canvas the bright colours of the olive trees, fruits and flowers of the region as well as the voluptuous bodies of the young Cagnoises that lived here. Also, it is in Cagnes that he started sculpting for the first time. The happiness that comes out of Renoir paintings is due to the exaltation and felicity that the painter kept until his last day despite the weakness that overcame his body, when he became very ill.The Renoir Museum reproduces the exact environment that the painter knew, displaying some of his canvas, furniture, and familiar objects.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.