The Château de Pontevès site is first recorded in a document in 1021 as the property of the monastery of Saint-Victoir in Marseille. Later, the lords of Pontevès progressively developed the site. In 1233 there is mention of a gate to the courtyard and the buildings arranged in the U-shape characteristic of the early 13th century. Further additions between 1560 and 1580 included a new bedroom, a great hall and the northwest tower. Between 1580 and 1590, the castle was defended during the Wars of Religion. In 1626, a billiards room, tennis court, stables and chicken house were added. Gradually, the castle was developed as a comfortable residence rather than a defensive site.
In 1650, François de Pontevès sold the castle to a rich Aix-en-Provence financier, Pierre Maurel, nicknamed the Croesus of Provence. The site then underwent a massive upheaval with most of the ancient edifice being destroyed and the materials reused to construct a vast building containing more than 50 rooms on three levels. Three corner towers were added. A gallery was decorated with trompe l'oeil paintings by Jean Daret.
However, this splendour was not to last. Faults in its constructions and inheritance problems led to a rapid degradation. By the time of the French Revolution the castle was already crumbling and many houses in the village today show evidence of plundering of the site for building materials, particularly doorframes and windows.
The castle today is open to the public. Visitors can see the gateway, four towers, parts of the curtain wall and other ruined structures.
References:Visby Cathedral (also known as St. Mary’s Church) is the only survived medieval church in Visby. It was originally built for German merchants and inaugurated in 1225. Around the year 1350 the church was enlarged and converted into a basilica. The two-storey magazine was also added then above the nave as a warehouse for merchants.
Following the Reformation, the church was transformed into a parish church for the town of Visby. All other churches were abandoned. Shortly after the Reformation, in 1572, Gotland was made into its own Diocese, and the church designated its cathedral.
There is not much left of the original interior. The font is made of local red marble in the 13th century. The pulpit was made in Lübeck in 1684. There are 400 graves under the church floor.