The Olympic Museum (Musée olympique) in Lausanne houses permanent and temporary exhibits relating to sport and the Olympic movement. With more than 10,000 artifacts, the museum is the largest archive of Olympic Games in the world and one of Lausanne's prime tourist site attracting more than 250,000 visitors each year.
The Olympic Museum and the Olympic Park are located at Ouchy, south of Lausanne. The headquarters of the International Olympic Committee are located at Vidy, to the west of Ouchy.
The museum was founded in 1993. The permanent exhibition is organized into three major themes on three separate floors: Olympic World, Olympic Games, and Olympic Spirit. A visit begins on the third floor, where the Olympic World part of the exhibition informs visitors of the history of the ancient Olympic Games and the rebirth of the modern Games in the 19th century. Highlights include a display of Olympic torches, as well as a video documenting major moments in the history of opening ceremonies history.
The second floor focuses on Olympic Games. Sporting equipment for a variety of sports are on display, and visitors are introduced to the Youth Olympic Games and the Paralympic Games. More than 1,000 video clips of Olympic Games events and athletes are can be searched and viewed at individual viewing stations.
The final part of the permanent exhibit covers the Olympic Spirit, where visitors are made to feel part of an Olympic Village and can test their balance, agility, and mental skills with interactive exercises. Olympic medals are also on display.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.