The Basilica Notre-Dame of Geneva is the main Roman Catholic church in Geneva. The church was built according to the design of Alexandre Grigny between 1852 and 1857 on the site of a former stronghold fortifications. This neo-Gothic building, whose appearance is partly inspired by the Beauvais Cathedral, could break ground thanks to the city of Geneva, which had ceded land to religious communities to build places of worship, and through donations and manual labor provided by the Geneva Catholics.
After the coming to power of an anti-clerical government, Notre Dame was occupied on June 5, 1875 and closed. This occupation is accompanied by a protest against the Roman Catholic and more unrests. The commitment of Catholics to this sanctuary becomes even greater. Notre-Dame was bought by the Catholic Church in 1911–1912.
On December 5, 1954, Bishop François Charrière, diocesan bishop, pronounced in the name of Pope Pius XII the elevation of the shrine to the rank of minor basilica.
The oldest art works of the basilica date back to the time immediately preceding the Protestant Reformation like a carved wood panel with bas-relief image of the Virgin Mary, mutilated with an ax by Protestants.
The stained glass windows of the basilica are particularly remarkable. Some are semi-industrial production neo-gothic, but most show the evolution of the art of stained glass during the twentieth century, in various styles, after those of Claudius Lavergne (installed from 1857 to 1875).
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.