The Musée d’Art et d’Histoire (Museum of Art and History) is the largest art museum in Geneva. It was built by the architect Marc Camoletti between 1903 and 1910, and financed by a bequest from the banker Charles Galland (1816–1901).
The façade is decorated with sculptures by Paul Amlehn: an allegory of the arts, depicting painting, sculpture, drawing and architecture, is mounted on the triangular gable above the entrance, and two more allegories, of archaeology and applied art, can be seen in the left- and right-hand corners of the building respectively.
The fine art section has paintings from the Middle Ages to the 20th century, with works by the Italian, Dutch, French, English, Genevan and Swiss Schools. The best-known painting is The Miraculous Draught of Fishes (1444) by Konrad Witz, contained in Witz's St. Peter Altarpiece. Other major artists include Rembrandt, Cézanne, Modigliani, and the sculptor Rodin. The museum also has numerous works by Jean-Étienne Liotard, Ferdinand Hodler, Félix Vallotton and Jean-Baptiste-Camille Corot.
The applied art section has collections of Byzantine art, icons, weapons from the Middle Ages and Renaissance, silverware and tinware, musical instruments and textiles. The complete interior furnishing and wood panelling from several rooms of the Lower Castle Zizers (late 17th century) have been built into the museum.
The archaeology section displays findings from European prehistory, ancient Egypt (with a mummy from the 9th century BC), the Kerma culture of Sudan, the Near East, ancient Greece, and Roman and pre-Roman Italy, as well as a numismatic cabinet.
References:Visby Cathedral (also known as St. Mary’s Church) is the only survived medieval church in Visby. It was originally built for German merchants and inaugurated in 1225. Around the year 1350 the church was enlarged and converted into a basilica. The two-storey magazine was also added then above the nave as a warehouse for merchants.
Following the Reformation, the church was transformed into a parish church for the town of Visby. All other churches were abandoned. Shortly after the Reformation, in 1572, Gotland was made into its own Diocese, and the church designated its cathedral.
There is not much left of the original interior. The font is made of local red marble in the 13th century. The pulpit was made in Lübeck in 1684. There are 400 graves under the church floor.