The Musée d’Art et d’Histoire (Museum of Art and History) is the largest art museum in Geneva. It was built by the architect Marc Camoletti between 1903 and 1910, and financed by a bequest from the banker Charles Galland (1816–1901).
The façade is decorated with sculptures by Paul Amlehn: an allegory of the arts, depicting painting, sculpture, drawing and architecture, is mounted on the triangular gable above the entrance, and two more allegories, of archaeology and applied art, can be seen in the left- and right-hand corners of the building respectively.
The fine art section has paintings from the Middle Ages to the 20th century, with works by the Italian, Dutch, French, English, Genevan and Swiss Schools. The best-known painting is The Miraculous Draught of Fishes (1444) by Konrad Witz, contained in Witz's St. Peter Altarpiece. Other major artists include Rembrandt, Cézanne, Modigliani, and the sculptor Rodin. The museum also has numerous works by Jean-Étienne Liotard, Ferdinand Hodler, Félix Vallotton and Jean-Baptiste-Camille Corot.
The applied art section has collections of Byzantine art, icons, weapons from the Middle Ages and Renaissance, silverware and tinware, musical instruments and textiles. The complete interior furnishing and wood panelling from several rooms of the Lower Castle Zizers (late 17th century) have been built into the museum.
The archaeology section displays findings from European prehistory, ancient Egypt (with a mummy from the 9th century BC), the Kerma culture of Sudan, the Near East, ancient Greece, and Roman and pre-Roman Italy, as well as a numismatic cabinet.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.