Patek Phillipe Museum is noble and prestigious private museum mapping the history of luxury watchmaking, since 16th century up to present. Huge collection of precious clocks and watches make the visit of museum artistic experience.
Antoni Patek was Polish watchmaking pioneer, who settled in Switzerland in 1834, after career in millitary. Interested in art and trading, with good connections in Paris, he soon got into luxury watch trading and watch production. In 1839, Patek together with his partner Franciszek Czapek, (who was also Polish immigrant) created their first watchmaking company, Patek, Czapek & Co.
In 1844, Adrien Philippe presented his invention of mechanism for watches on the French Industrial Exposition, which won him the first price. There he met Antoni Patek, who invited him to Geneva and soon employed him as the head watchmaker of the now renamed company, Patek, Philippe & Co, entitling him for 1/3rd of the profits.
Switzerland, and especially Geneva region were already at these thimes the hub for high-quality watchmaking. Patek, Philippe & Co merged swiss precision with beautiful decorative making, creating one of the most ultra-luxury watchmaking brand in the world.
Because of the prestigious artistic work and high accuracy of time measurement, they soon become world most popular high-end watches and clocks, reassuring the trend of high quality swiss clocks fame.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.