The International Monument to the Reformation, usually known as the Reformation Wall, honours many of the main individuals, events, and documents of the Protestant Reformation by depicting them in statues and bas-reliefs.
The Wall is in the grounds of the University of Geneva, which was founded by John Calvin, and was built to commemorate the 400th anniversary of Calvin's birth and the 350th anniversary of the university's establishment. It is built into the old city walls of Geneva, and the monument's location there is designed to represent the fortifications', and therefore the city of Geneva's, integral importance to the Reformation.
Inaugurated in 1909, it was the culmination of a contest launched to transform that part of the park. The contest involved 71 proposals from around the world, but was won by four Swiss architects: Charles Dubois, Alphonse Laverrière, Eugène Monod, and Jean Taillens (whose other design came third). The sculptures were then created by two French sculptors Paul Landowski and Henri Bouchard.
During the Reformation, Geneva was the centre of Calvinism, and its history and heritage since the sixteenth century has been closely linked to that of Protestantism. Due to the close connections to that theology, the individuals most prominently depicted on the Wall were Calvinists; nonetheless, key figures in other theologies are also included.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.