Salsta Castle is one of the finest Baroque palaces in Uppland. The earliest known settlement in Salsta was a fortified farm from the early Middle Ages and the first known owner was Magnus Greg Ersson in the 1300s. The family of Bielke became the owner of Salsta in the 1500s and they erected a three-storey Renaissance castle. The present castle with park was built in 1672-78 by Nils Bielke and the building master was Mathias Spihler. The castle was strongly inspired of French Baroque style. The model of Salsta, as well as many palaces, was taken from Vaux-le-Vicomte, a chateau near Paris.
Also the garden was a French-inspired. Nils Bielke had visited in the Versailles park, knowing that a baroque garden should be symmetric and strictly. There are today only some remains of the original Baroque park, but you can sense the romantic park with winding paths and pedestrian bridges that were built in the 1800s.
An extensive renovation was made at the end of the 1700s. Main floor was reconstructed with new furnishings and modern stoves. The owner of Salsta was then Fredrik Magnus Brahe, who also owned Rydboholm and Skokloster castles. Until 1976 Salsta was a residence of the family von Essen. Since 1996, Salsta is managed by the National Property Board.
Salsta castle became a national monument in 1993 due the well-preserved appearance and the site's long history.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.