Opened in 1894, the Basel Historical Museum is one of the largest and most important museums of its kind in Switzerland. The museum is divided into four sections (buildings), three of which are within the city of Basel. These are Barfüsserkirche, Haus zum Kirschgarten and the Musikmuseum. The fourth section, the Coach and Carriage Museum lies slightly outside Basel, in the neighbouring town of Münchenstein.
The main part of the museum is located in the Barfüsserkirche in the centre of Basel. The museum houses the Upper Rhine’s most comprehensive cultural history collection and the display area covers 6,200 square meters. The exhibition presents objects documenting handicraft traditions and everyday culture from ages past. Its focus is on the late Middle Ages and the Renaissance up to the Baroque period.
Leading highlights include: the Basel Cathedral treasure, the Basel and Strasbourg tapestries, the fragments of Basel’s dance of death, altars and ecclesiastical graphic works, the estate of Erasmus of Rotterdam, the coin cabinet and glass painting. The museum also preserves old cabinets of curiosities which have been bequeathed, as Amerbach cabinet and Faesch cabinet, which works great collectors Basel sixteenth and seventeenth century.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.