The Kunstmuseum Basel houses the largest and most significant public art collection in Switzerland. The Kunstmuseum possesses the largest collection of works by the Holbein family. Further examples of Renaissance art include important pieces by such masters as Konrad Witz, Hans Baldung (called Grien), Martin Schongauer, Lucas Cranach the Elder and Mathias Grünewald.
The main features of the 17th and 18th centuries are the Flemish and Dutch schools (e.g. Peter Paul Rubens, Rembrandt, Jan Brueghel the Elder), German and Dutch still life painting. Key works from the 19th century include the Impressionists represented by Édouard Manet, Claude Monet, Paul Gauguin, Paul Cézanne as well as the paintings by Vincent van Gogh and Switzerland’s Arnold Böcklin and Ferdinand Hodler.
In the 20th century, the focus is on works of Cubism with Picasso, Braque and Juan Gris. Expressionism is represented by such figures as Edvard Munch, Franz Marc, Oskar Kokoschka and Emil Nolde. The collection also includes works from Constructivism, Dadaism and Surrealism and American art since 1950. Further highlights are the unique compilations of works from Pablo Picasso, Fernand Léger, Paul Klee, Alberto Giacometti and Marc Chagall.
In the realm of more recent and contemporary art, the collection maintains substantial bodies of work by Swiss, German, Italian, and American artists, including Joseph Beuys, Andy Warhol, Jasper Johns, Georg Baselitz, A.R. Penck, Brice Marden, Bruce Nauman, Jonathan Borofsky, Roni Horn, Francesco Clemente, Mimmo Paladino, Enzo Cucchi, Martin Disler, Leiko Ikemura, Markus Raetz, Rosemarie Trockel and Robert Gober.
The Kunstmuseum’s main building was designed and constructed 1931-1936 by architects Paul Bonatz und Rudolf Christ.
References:Towering 52 meters above the sea, Bengtskär lighthouse is the tallest one in Scandinavia. The building started in in 1905 after the shipwreck of S/S Helsingfors and was completed in 1906. The lighthouse was designed by architect Florentin Granholm. On December a special petrol lantern, designed and built in Paris, was brought to Bengtskär and installed atop the tower.
German fleet bombarded Bengstkär in the First World War in 1914. Since the Gulf of Finland was heavily mined, it was not until 1919 that the surrounding seas were declared safe for shipping, that the light was lit again.
After the war the military value of Bengtskär increased as part of the defence system of independent Finland. In Second World War (1941) Soviet Union made a suprise attack to island. After a bloody battle, the small Finnish garrison emerged victorious. Intermittent repairs to the facility continued during the post-war period.