The Church of Saint Anne is a Roman Catholic church, located at the start of the Via Dolorosa, near the Lions' Gate and churches of the Flagellation and Condemnation, in the Muslim Quarter of the old city of Jerusalem. The austere stone interior and extraordinary acoustics make it a fine example of medieval architecture.
During the Roman Period a pagan shrine to either the Egyptian god Serapis (Asclepius), gods of healing, stood on the grounds next to the two Pools of Bethesda. A Byzantine basilica was built over the remains of the shrine in the 5th century. Partially destroyed by the Persians in 614, it was subsequently restored. Baldwin I, the first titled Crusader king of Jerusalem, banished his wife Arda to the old Benedictine convent which still existed here in 1104. A small Crusader church, the so-called Moustier, was then erected over an extension of the northern Pool of Bethesda.
The actual Church of St Anne followed sometime between 1131 and 1138, during the reign of Queen Melisende. It was erected near the remains of the Byzantine basilica, over the site of a grotto believed by the Crusaders to be the childhood home of the Virgin Mary, mother of Jesus. It is dedicated to Anna and Joachim, the parents of Saint Mary, who according to tradition lived here.
Unlike many other Crusader churches, St. Anne's was not destroyed after Ṣalāḥ ad-Dīn's 1187 conquest of Jerusalem. In 1192 Ṣalāḥ ad-Dīn, known in the West as Saladin, converted the building into a madrasa (Islamic educational institution) as is still written in the Arabic inscription above the entrance. In the 15th century it was considered as the most prestigious college in the city, counting among its more prominent students the Islamic jurist and city historian Mujir al-Din (1456–1522).
During the renewed Muslim rule of Palestine, Christian pilgrims were only permitted inside the grotto after paying a fee. Eventually the madrasa was abandoned and the former church building fell into disrepair. In 1856, in gratitude for French support during the Crimean War, the Ottoman Sultan Abdülmecid I presented it to Napoleon III. It was subsequently restored, but the majority of what remains today is original. Currently St. Anne's belongs to the French government and is administered by the Missionaries of Africa, commonly called 'The White Fathers', for the colour of their robes.
Built between 1131 and 1138 to replace a previous Byzantine church, and shortly thereafter enlarged by several meters, the church is an excellent example of Romanesque architecture. The three-aisled basilica incorporates cross-vaulted ceilings and pillars, clear clean lines and a somewhat unadorned interior. The nave is separated from the lower lateral aisles by arcades of arches. The high altar, designed by the French sculptor Philippe Kaeppelin incorporates many different scenes.
In the south aisle is a flight of steps leading down to the crypt, in a grotto believed by the Crusaders to be Mary's birthplace. An altar dedicated to Mary is located there. The Byzantine basilica was partly stretched over two water basins, collectively known as the Pools of Bethesda, and built upon a series of piers, one of which still stands today in its entirety.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.