The Cathedral of Saint Lawrence was founded in the High Middle Ages but rebuilt in the late 15th century, with the façade completed in 1517. It is the seat of the Diocese of Lugano, and dedicated to Saint Lawrence of Rome.
The church is known on this site from 818. In 1078 it was made a collegiata, becoming a cathedral in 1888. The original Romanesque building was oriented the opposite way to the present church, as is shown by remains of the apse discovered under the current parvise. In the 15th century the church was expanded and the entrance moved to the present position, while the open roof was covered by a groin vaulted ceiling.
There were extensive renovations in 1905-1910, when some Baroque chapels were demolished and the interior received frescoes by Ernesto Rusca.
The church's main feature is its facade, which was inspired by Giovanni Antonio Amadeo's Certosa di Pavia. It is made of white stone from Saltrio and Viggiù and of Carrara marble, and is divided in three sectors by four false columns supporting the entablature. In the middle sector is the main portal and a large rose window with decoration of cherubs executed after 1578. The decorations of the portals' frames are of high quality, with figures of puttoes, birds and lion-protomes. The central portal, called the 'Saints Portal', has five medallions with reliefs, depicting four saints and, in the middle, the Virgin with Child. Between the portal's frame and the entablature are two angels carrying torches, resembling the decoration of the Roman triumphal arches.
Between the portals, inside square frames, are busts of the Four Evangelists and of the Kings Solomon and David. The entablature frieze has 17 figures, including biblical characters and the Sibyls. Also present are animal figures, while a restoration in 2002 showed traces of a fresco. The main portal of the Romanesque church is now moved to the sacristy.
The bell tower dates, in its lower part, to the Romanesque church. The two upper storey are in the Baroque style with an octagonal lantern covered by a cupola, designed by Costante Tencalla.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.