Filitosa is a megalithic site in southern Corsica, France. The period of occupation spans from the end of the Neolithic era and the beginning of the Bronze Age, until around the Roman times in Corsica.
The site was discovered in 1946 by the owner of the land, Charles-Antoine Cesari. Finds of arrow heads and pottery date earliest inhabitation to 3300 BC. Around 1500 BC, 2-3 metre menhirs were erected. They have been carved with representations of human faces, armour and weapons. Roger Grosjean thought the menhirs may have been erected to ward off an invasion of a group of people called the Torréens (Torreans). However this was unsuccessful: the menhirs were cast down, broken up and reused in some cases as building material by the Torréens. The Torréens built circular stone structures on the site, known as torri (or torre), which may have been used as temples. The torri are remarkably well preserved.
In total, about twenty menhirs of various times were counted in Filitosa. They constitute approximately half of the total staff of these monuments in Corsica.
The site of Filitosa is approached down a track through an ancient olive grove. The first monument to be seen is a rock overhang and surrounding wall. Then the visitor comes upon the central monument. Various hut platforms are all around, and the track leads a further 50m to the Western Monument or torri. From there, one can enjoy a view down the hill to a stone alignment of five megaliths, set around the base of a 2000-year-old olive tree. Behind the olive tree is the quarry, where the megaliths were extracted from.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.