The Casa Botines (built 1891-1892) is a Modernist building in León, designed by Antoni Gaudí. It was adapted to serve as the headquarters of Caja España, a local savings bank.
While Gaudí was finishing the construction of the Episcopal Palace of Astorga, his friend and patron, Eusebi Güell recommended that he build a house in the center of León. Simón Fernández and Mariano Andrés, the owners of a company that bought fabrics from Güell, commissioned Gaudí to build a residential building with a warehouse. The house's nickname comes from the last name of the company's former owner, Joan Homs i Botinàs.
In 1929, the savings bank of León, Caja España, bought the building and adapted it to its needs, without altering Gaudí's original project.
With the Casa Botines, Gaudí wanted to pay tribute to León's emblematic buildings. Therefore, he designed a building with a medieval air and numerous neo-Gothic characteristics. The building consists of four floors, a basement and an attic. Gaudí chose an inclined roof and placed towers in the corners to reinforce the project's neo-Gothic feel. To ventilate and illuminate the basement, he created a moat around two of the façades, a strategy that he would repeat at the Sagrada Família in Barcelona.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.