The New Cathedral is located adjacent to the Old Cathedral in Salamanca. It was constructed between the 16th and 18th centuries in two styles: late Gothic and Baroque. Building began in 1513 and the cathedral was consecrated in 1733.
The building began at a time when the gothic style was becoming less popular and was merging with the new Renaissance style, giving the resulting Plateresque style in Spain. However, this cathedral retained more of its Gothic character because the authorities wanted the new cathedral to blend with the old one. Thus the new cathedral was constructed, continuing with Gothic style during the 17th and 18th centuries. However, during the 18th century, two elements were added that broke with the showy form with the predominant style of the building: a Baroque cupola on the transept and the final stages of the bell tower (92 m). The new cathedral was constructed without the subsequent destruction of the old cathedral as normally happened but a wall of the new cathedral, leans on the North wall of the old one. For this reason, the old cathedral had to be reinforced, and the bell tower was constructed on the old one. Two of the main architects of the cathedral were Juan Gil de Hontañón and his son Rodrigo Gil de Hontañón in 1538.
Cracks and broken windows are visible reminders of the devastating effects of the 1755 Lisbon earthquake, still visible today. After the earthquake, repairs were necessary to the cupola and the base of the tower which were reinforced with a lining of lines of sillares, in the form of a pyramid trunk that spoiled the basic profile of the tower (this tower is a virtual twin of the tower of the cathedral of Segovia). The moment of this catastrophe is commemorated with the 'Mariquelo' tradition on October 31, when every year residents climb to the cupola high above and play flutes and drums.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.