Fort Lovrijenac or St. Lawrence Fortress is located outside the western wall of the city of Dubrovnik. Famous for its plays and importance in resisting Venetian rule, it overshadows the two entrances to the city, from the sea and by land. Early in the 11th century the Venetians attempted to build a fort on the same spot where Fort Lovrijenac currently stands. If they had succeeded, they would have kept Dubrovnik under their power, but the people of the city beat them to it. The 'Chronicles of Ragusa' reveal how the fort was built within just three months time and from then on constantly reconstructed. When the Venetian ships arrived, full of materials for the construction of the fort, they were told to return to Venice.
Lovrijenac has a triangular shape with three terraces. The thickness of the walls facing the outside reach 12 metres whereas the section of the walls facing the inside, the actual city, are only 60 centimetres thick. Two drawbridges lead to the fort and above the gate there is an inscription Non Bene Pro Toto Libertas Venditur Auro ('Freedom is not to be sold for all the treasures in the world'). Lovrijenac's use as a stage was a recent addition to the history of the fort, and the performance of Shakespeare's 'Hamlet' has become the symbol of Dubrovnik Summer Festival.
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The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.