The Museo Nacional Centro de Arte Reina Sofía (MNCARS, also called the Museo Reina Sofía) is Spain's national museum of 20th-century art. The museum was officially inaugurated in 1992, and is named for Queen Sofía.
The museum is mainly dedicated to Spanish art. Highlights of the museum include excellent collections of Spain's two greatest 20th-century masters, Pablo Picasso and Salvador Dalí. Certainly, the most famous masterpiece in the museum is Picasso's painting Guernica. The Reina Sofía collection has works by artists such as Joan Miró, Eduardo Chillida, Pablo Gargallo, Julio González, Luis Gordillo, Juan Gris, José Gutiérrez Solana, Lucio Muñoz, Jorge Oteiza, Julio Romero de Torres, Pablo Serrano, and Antoni Tàpies.
International artists are few in the collection, but there are works by Francis Bacon, Joseph Beuys, Pierre Bonnard, Georges Braque, Alexander Calder, Robert Delaunay, Max Ernst, Lucio Fontana, Damien Hirst, Donald Judd, Vasily Kandinsky, Paul Klee, Yves Klein, Fernand Léger, Jacques Lipchitz, René Magritte, Henry Moore, Bruce Nauman, Gabriel Orozco, Nam June Paik, Man Ray, Diego Rivera, Mark Rothko, Julian Schnabel, Richard Serra, Cindy Sherman, Clyfford Still, Yves Tanguy, and Wolf Vostell.
Along with its extensive collection, the museum offers a mixture of national and international temporary exhibitions in its many galleries, making it one of the world's largest museums for modern and contemporary art.
It also hosts a free-access library specializing in art, with a collection of over 100,000 books, over 3,500 sound recordings, and almost 1,000 videos.
References:Saint-Georges de Boscherville Abbey is a former Benedictine abbey. It was founded in about 1113 by Guillaume de Tancarville on the site of an earlier establishment of secular canons and settled by monks from the Abbey of Saint-Evroul. The abbey church made of Caumont stone was erected from 1113 to 1140. The Norman builders aimed to have very well-lit naves and they did this by means of tall, large windows, initially made possible by a wooden ceiling, which prevented uplift, although this was replaced by a Gothic vault in the 13th century. The chapter room was built after the abbey church and dates from the last quarter of the 12th century.
The arrival of the Maurist monks in 1659, after the disasters of the Wars of Religion, helped to get the abbey back on a firmer spiritual, architectural and economic footing. They erected a large monastic building one wing of which fitted tightly around the chapter house (which was otherwise left as it was).