The Royal Chapel of St. Anthony of La Florida is a Neoclassical chapel, best known for its ceiling and dome frescoes by Francisco Goya. It is also his former burial place.
The chapel was built in the general location of two prior chapels built in the 1730s, which were on the land of a farm called La Florida. The present structure was built by Felipe Fontana from 1792 to 1798 on the orders of King Carlos IV, who also commissioned the frescoes by Goya and his assistant Asensio Juliá.
In 1919 Goya's remains were transferred here from Bordeaux, where he had died in 1828. Famously, the skull was missing, a detail the Spanish consul had immediately advised to his superiors in Madrid, who wired back, 'Send Goya, with or without head.' In 1928 an identical chapel was built alongside the original, in order to allow the original to be converted into a museum, and the headless remains were moved again.
The frescoes by Goya were completed over a six-month period in 1798. The frescoes portray miracles by Saint Anthony of Padua. On the main cupola of the chapel Goya depicted Saint Anthony raising a man from the dead and exculpating his father, who had been falsely accused of his murder. Instead of portraying the scene as occurring in thirteenth-century Lisbon, Goya relocated the miracle to contemporary Madrid.
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The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.