The Synagogue of El Transito is famous for its rich stucco decoration, which bears comparison with the Alcazar of Seville and the Alhambra palaces in Granada. It was founded as a synagogue by Samuel ha-Levi Abulafia, Treasurer to Peter of Castile, in about 1356. The founder was a member of a family that had served the Castilian kings for several generations and included kabbalists and Torah scholars such as Meir and Todros Abulafia, and another Todros Abulafia who was one of the last poets to write in the Arab-influenced style favored by Jewish poets in twelfth and thirteenth-century Spain.
King Peter probably gave his assent to the building of the synagogue to compensate the Jews of Toledo for destruction that had occurred in 1348, during anti-Jewish riots that accompanied the arrival of the Black Death in Toledo. The founder eventually fell foul of the king and was executed in 1360. The synagogue was converted to a church after the expulsion of the Jews from Spain. The building, which is in a good state of conservation for its age, is currently a museum.
After the expulsion of the city's Jews under the Alhambra decree in 1492, the Synagogue came under the Order of Calatrava, who converted the building into a church serving a priory dedicated to Saint Benedict.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.