The Iglesia de Santo Tomé is a church located in the historical center of the Toledo, and was founded after the reconquest of this city by King Alfonso VI of León. It appears quoted in the 12th century, as constructed on the site of an old mosque of the 11th century. This mosque, together with other mosques in the city, were used as Christian churches without major changes, since in the taking of the city there was no destruction of buildings.
However, at the beginning of the 14th century, being in a ruinous state was totally rebuilt in charge of Gonzalo Ruiz de Toledo, Lord of Orgaz and the old minaret of the mosque was transformed into a bell tower in Mudéjar style. Its fame is mainly due to the fact that it contains the painting The Burial of the Count of Orgaz by El Greco, which can be seen by accessing the back of church.
Santo Tomé has two baroque reredos, one plateresque and a baptismal font of the 16th century. It highlights an image of the Virgin Mary of 12th century and the reredos with Ionic elements of the greater chapel of the 19th century, that replaced an earlier churrigueresque, in this reredos is in its central part a painting, 'The unbelief of St. Thomas', by the painter Vicente López Portaña.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.