The Cathedral of St Justus and St Pastor in Alcalá de Henares was constructed between 1497 and 1515 in late Gothic style. The tower was built between 1528 and 1582.
During the Spanish Civil War (1936-1939) the church was burned losing virtually all its treasures, saving some bars and some chairs from the old choir. In 1991 the diocese of Alcalá restored and elevated to the status of cathedral-master, the Diocese Complutense recovering that which was from the 5th century until 1099.
The exterior of the Cathedral is simple and austere. The walls are covered by molding type Segovia. They emphasize the cover of the western facade of Flamboyant Gothic style, in which central medallion depicted on Saint Ildefonso; and the tower, designed by Rodrigo Gil de Hontañón and Rodrigo Argüello, in herrerian style, with a height of 62.05 meters. Top is a beautiful spire tower slate.
The cathedral has a severe seventeenth century cloister arches between pilasters. Soils appear covered by Renaissance carpets from nearby convents. In one of the walls the grave of Cardinal Cisneros remains.
The building's interior is divided into three naves covered by cross vaults resting on pillars fasciculados. The overall shape of the building resembles the traditional Latin cross with marked transept. The entire building suffered much in that fire, and countless works of art and objects of great historical, devotional and sentimental value were lost. Today the cathedral houses apart from its religious functions, an interpretive center and the Cathedral Museum.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.