The Royal Palace of El Pardo is a historic building near Madrid, in the present-day district of Fuencarral-El Pardo. It is owned by the Spanish state and administered by the Patrimonio Nacional agency.
The palace began as a royal hunting lodge. It became an alternative residence of the kings of Spain until the reign of King Alfonso XII of Spain, who died in the palace in 1885.
King Henry III of Castile ordered the building of the pavilion in 1406, on Mount El Pardo, because of its abundant game. Later, in the time of Emperor Charles V (1547), it was transformed into a palace by the architect Luis de Vega. On 13 March 1604, a massive fire destroyed many of the paintings, including masterpieces by Titian. King Charles III of Spain renovated the building in the 18th century, appointing his architect Francesco Sabatini to undertake the job. It was newly transformed in the 20th century, doubling in size with the construction of an identical copy of the original structure to the east.
The interior decoration includes a ceiling frescoed by Gaspar Becerra, and paintings by Vincenzo Carducci and Cabrera.
In 1739 the palace hosted talks between the governments of Britain and Spain, who eventually agreed to the Convention of Pardo in a bid to avert a war. However, the Convention failed to prevent war breaking out shortly afterwards.
Generalissimo Francisco Franco lived in the palace after the Spanish Civil War. Since Franco's death, it has been used as a residence for visiting heads of state.
The Palace of Zarzuela forms part of the complex of residences at the site.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.