The Temple of Athena Nike on the Acropolis of Athens was named after the Greek goddess. Built around 420 BCE, the temple is the earliest fully Ionic temple on the Acropolis. It was a prominent position on a steep bastion at the south west corner of the Acropolis to the right of the entrance, the Propylaea. In contrast to the Acropolis proper, a walled sanctuary entered through the Propylaea, the Victory Sanctuary was open, entered from the Propylaea's southwest wing and from a narrow stair on the north. The sheer walls of its bastion were protected on the north, west, and south by the Nike Parapet, named for its frieze of Nikai celebrating victory and sacrificing to their patroness, Athena Nike.
In the sixth century BCE a cult of Athena Nike was established and a small temple was built using Mycenaean fortification and Cyclopean masonry. After the temple was demolished by the Persians in 480 BCE a new temple was built over the remains. The new temple construction was underway in 449 BCE and was finished around 420 BCE.
The temple sat untouched until it was demolished in 1686 by the Turks who used the stones to build defences. In 1834 the temple was reconstructed after the independence of Greece. In 1998 the temple was dismantled so that the crumbling concrete floor could be replaced and its frieze was removed and placed in the new Acropolis Museum. The temple is often closed to visitors as work continues. The new museum exhibit consists of fragments of the site before the Persians were thought to have destroyed it in 480 BCE. Sculptures from the friezes have been salvaged such as: deeds of Hercules, statue of Moscophoros, a damaged sculpture of a goddess credited to Praxiteles and the Rampin horseman, as well as epigraphic dedications, decrees, and stelae.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.