The Colonne di San Lorenzo or Columns of San Lorenzo is a group of ancient Roman ruins, located in front of the Basilica of San Lorenzo in central Milan.
The colonnade, consisting mainly of 16 tall Corinthian columns in a row, now fronts an open square. In the 4th century, the columns were moved here, after removal from a likely 2nd century pagan temple or public bath house structure. South of the columns, one of the medieval gates still has some Roman marble decoration in place. In the 16th century, in preparations for a celebratory entrance into Milan of the monarch King Phillip II of Spain, it was proposed to raze the colonnade to widen the route; Ferrante Gonzaga declined the suggestion.
Up until 1935, the space between the church and columns was entirely occupied by old houses abutting onto the façade of the church itself. Indeed, the church complex was fully surrounded by old houses. Despite the plans to conserve this ancient urban fabric, the renovations led to the demolition of the old houses and the isolation of the monument on the front side. Following bombing during World War II, the church complex became isolated also on the rear side, where the fenced Basilicas Park now stands, allowing popular views of the Basilica.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.